Live Review: Majical Cloudz Stages Sit-In At NYC’s Other Music

Majical Cloudz stages sit in

The unusual, mid-set request took little salesmanship. All it took was a dour proclamation.

The second half of Majical Cloudz’s Monday night in-store performance at Other Music would be “slow and morose,” frontman Devon Welsh explained, offering his rationale behind asking the 60 or so people in attendance to sit on the floor. The first three songs were not exactly a party.

The Montreal duo’s final four songs delivered on Welsh’s promise, doubling down on intensity, atmosphere, and lyrical frankness. Toward the end of “Silver Rings”, Welsh rose from the floor, shouting “I don’t think about dying alone” with a force that belied the intimate setting.

Majical Cloudz played Other Music on the Lower East Side a day in advance of the release of their new record, Impersonator, out on indie giant Matador Records. The vocal/keyboard duo of Welsh and Matthew Otto incorporate the former’s stark baritone and death-obsessed words with the latter’s sparse, repetitive key strokes that, when wedded together, excavate the glory of life from the clutches of despair.

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Titus Andronicus Bowls Over Brooklyn Crowd

Titus Andronicus at Brooklyn Bowl

One moment, I bounced around in a 360-degree lunatic pirouette shouting about looking for a new New Jersey – yeah, imagine that. The next, my glasses flew off my face and into the Brooklyn Bowl crowd, leaving me momentarily blind and frantic.

My glasses returned in one piece – thanks to my friend Will – before the second verse of “A More Perfect Union” ended Wednesday night, just in time to see Titus Andronicus close its set with two more balls-out rockers from its middle album, The Monitor.

For the second time in as many months, the Jersey-based quintet cemented its place, at least in my mind, as one of rock’s best live acts, willing their fans to dance, stage dive, and run into each other at any given time.

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What Past Coachella Reunions Say About At The Drive-In’s New Music Prospects

Cedric Bixler at Coachella 2012

Here’s what I remember about The Mars Volta at Voodoo Music Experience 2008: wailing, indecipherable vocals, the kind of nonstop drum fills only a 9-year-old would appreciate, lots of technical wankery, a 15-minute jam that was like a musical road to nowhere. To say I experienced a rush of excitement upon learning The Mars Volta broke up this week would be an overstatement. That would require me giving a shit.

Which brings me to why I care about The Mars Volta’s dissolution. It raises the possibility, however slight, a new At the Drive-In record could happen. Cut from the ties that bound them in The Mars Volta, singer Cedric Bixler Zavala and guitarist Omar Rodriguez-Lopez are free to take their talents – yes, they are talented – in a more focused direction (a la At the Drive-In).

At the Drive-In reunited in 2012 after an 11-year hiatus. Among the major festivals they played was Coachella, a festival known for throwing a shitload of money at bands whose members hate each other guts and vow never to play again.

Using the festival’s previous major reunited acts as a gauge to determine At the Drive-In’s new music prospects. Admittedly, I would be fine with them letting their previous work – particularly Relationship of Command, In/Casino/Out, and the Vaya ep – stand for itself. However, I’d approach a new record with cautious optimism. (NOTE: I don’t expect At the Drive-In to record again, given Rodriguez-Lopez has started a new band called Bosnian Rainbows, per the Rolling Stone article I linked above.)

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Initial Coachella 2013 Thoughts

Ladies and Gents, Coachella 2013

Coachella lineup withdrawals exist. I experienced them today. For hours, I refreshed the festival’s site and its Twitter an obsessive amount of times, even punched in Coachella on Google a dozen or so occasions. I could not concentrate on much else. All because KROQ radio station in Los Angeles announced the imminent release of Coachella’s lineup earlier in the day.

It turned out less imminent than I hoped, but at roughly 11:45 p.m. EST the lineup dropped. Perhaps the wait sucked my initial enthusiasm clean out of me. Nah, that’s not it. I would be jumping around my apartment like Flava Flav in his Public Enemy prime had Coachella delivered something other than B-grade headliners this year.

After I spent all day building up the potential lineup in my head tonight’s unveiling felt like watching my favorite team choke away a pivotal playoff game. Palms meet face, shake head, hold the position.

The flip side: The festival’s undercard. Although … it’s called an undercard for a reason.

Here are my initial Coachella 2013 thoughts. If nothing else, I’ll always have Coachella 2012.

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Top 5 Must-See Governors Ball Shows

Governor's Ball lineup

Rumor has it Coachella will announce its 2013 lineup today. YES, RUMOR HAS IT … ah, nevermind. I’ll spare you my obscene, slobbering excitement, and scratch my Coachella itch somewhere else.

For the moment, the 2013 music festival I am most stoked about is not the California desert music spectacular I just referenced but an upstart, third-year festival taking place near my Spanish Harlem backyard, if, ya know, Spanish Harlem had backyards.

The Governors Ball Music Festival released its initial lineup Tuesday complete with a sterling list of 65 musical acts, including one Mr. Kim Kardashian. All of the lights, no doubt, will be on Randall’s Island in New York City, when The Governors Ball expands from two days to three days for the first time this June 7-9.

Below are my top five must-see Governors Ball shows (plus a complimentary playlist):

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Cajun Tomato’s Most Viewed Posts 2012

Now that 2012 is in the books here’s a look back at my most viewed posts 2012 edition. Thanks to each and every one of you who read my blog!

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Cajun Tomato’s Favorite 2012 Concerts

Photo credit: Cajun Tomato

My adventures in live music in 2012 started like me, in Portland, and finished 3,000 miles east in New York City. In between, I spent three incredible, and incredibly hot, days and nights at Coachella, where I witnessed a who’s who of A-list artists and up-and-comers.

I started writing concert reviews on the Cajun Tomato in 2010 as a means to wed two of my favorite pasttimes. This year, I posted 42 reviews, with assists from correspondents in Portland (Scott) and Chicago (Brett). These reviews continue to provide me enjoyment, and thus I plan to review even more concerts in 2013 – Mayan Apocalypse, be damned.

Below are my favorite 2012 concerts. Each wrapped me in a coat of awe, whether through their visual spectacle, sound, or both. That’s why I go to concerts – to feel a sense of wonder and tap into something beautiful and raw. Enough romanticism. List time!

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Dancing, Crowd Surfing, and Jersey Love: Titus Andronicus Rocks Webster Hall

Titus and fans at Webster Hall

With a half-dozen fans mugging like pro wrestling heels on-stage at Webster Hall, Titus Andronicus frontman Patrick Stickles made a groaning noise into his mic and said something along the lines of “uhhh” or “ewww”. The music had stopped. The stage-divers, waiting to hurl their sweaty bodies into the audience, seemed lost. Perhaps the band had finished its white-hot Jersey-bred rock’n'roll assault, and they had missed their chance to take the plunge.

Nope.

One by one, the dirty half-dozen propelled themselves into the audience as the final minute or two of Titus Andronicus’ 14-minute Civil War-inspired barnburner, “The Battle of Hampton Roads”, soundtracked their devil may care fury. More audience members followed suit, right up until Stickles’ final waves of distortion bled out the amp nearest the stage.

Titus Andronicus, a quintet proudly rooted in New Jersey, pumped its Webster Hall set on Sunday, Dec. 2, with more anthemic, lose your shit moments than any band I’ve seen this year. Stickles channeled a righteous indignation, relative to listeners, that exploded into a life-affirming ball of sound rolling downhill when he chanted refrains like “It’s still us against them” and “You’ll always be a loser” in a live setting. On this particular night, it all felt more like a rally for a movement than a concert.

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Death Grips Preview Apocalyptic Soundtrack During Frenzied Portland Set

MC Ride via Prefix

Ed. Note: Cajun Tomato correspondent Scott Hesedahl recently attended Death Grips’ Portland show. Though the band’s abrasive sonics are certainly not for everyone he loved their show’s intensity.

As I waited Saturday night in a downpour for the Star Theatre’s doors to open, a stranger approached to inform me he planned on pissing through the fence the line had formed against.

I attempted telling him there were better spots to urinate in the belly of Chinatown.

“Fuck it,” he replied. “It’s the Death Grips, man.”

Yes, Death Grips, the Cali death-hop act that surprisingly signed to a major label only to be dropped by that major label (Epic) after leaking their album for free without notifying the label.

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Jessie Ware’s Bowery Ballroom Debut And Other NYC Shows On My Radar

Super pumped about this!

I have called New York City home for a month without having attended a music concert in the city. Disgraceful, right? I am not counting M83 because I saw them play in Jersey.

I plan on hitting the NYC concert scene with a vengeance over the next few months. Here are five shows I am anticipating, including Jessie Ware’s Bowery Ballroom debut early next year.

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