Review: Leon Bridges, Green With Nostalgia, Serves Brooklyn Soul

Leon Bridges and Brittni Jessie perform "River" inside Music Hall of Williamsburg.

Leon Bridges and Brittni Jessie perform “River” inside Music Hall of Williamsburg.

A week ago, at my roommate’s insistence, I sat through Terminator: Genysis, a film whose migraine-inducing, clustercuss of a time-traveling plot made zero sense to my bayou brain. If you told me Texas soul-singer Leon Bridges, whose live show I witnessed in Brooklyn two weeks ago, accessed the Terminator: Genysis teleportation chamber in order to travel between the 1960s and now I would believe you. At worst, this explanation of Bridges’ retro voice, stage mannerisms and fashion sense would make more sense than the movie.

As I wrote in my review of his Music Hall of Williamsburg concert, Leon Bridges is a green performer despite what his classic sound might suggest. His smooth voice offers a fine facsimile of R&B legends but his stage presence does not inspire the same awe. One would guess, when his time-traveling act returns to NYC in the fall, that many of the wrinkles in his show, much like those in his high-waisted pants and polo shirt, will be ironed out.

For more on Bridges, check out my write-up on his soul and marketing appeal.

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