A week ago, at my roommate’s insistence, I sat through Terminator: Genysis, a film whose migraine-inducing, clustercuss of a time-traveling plot made zero sense to my bayou brain. If you told me Texas soul-singer Leon Bridges, whose live show I witnessed in Brooklyn two weeks ago, accessed the Terminator: Genysis teleportation chamber in order to travel between the 1960s and now I would believe you. At worst, this explanation of Bridges’ retro voice, stage mannerisms and fashion sense would make more sense than the movie.
As I wrote in my review of his Music Hall of Williamsburg concert, Leon Bridges is a green performer despite what his classic sound might suggest. His smooth voice offers a fine facsimile of R&B legends but his stage presence does not inspire the same awe. One would guess, when his time-traveling act returns to NYC in the fall, that many of the wrinkles in his show, much like those in his high-waisted pants and polo shirt, will be ironed out.
For more on Bridges, check out my write-up on his soul and marketing appeal.