The defining pop culture statement about Baltimore’s reaction to Freddie Gray’s April 19 death in police custody – in a year that will be defined by such repeated and senseless acts of institutional racism – came almost two months before this heinous tour made “Charm City” its latest stop.
Kendrick Lamar’s single “The Blacker The Berry” presented a narrator awake to how little those in power cared about his life as a black man, and the frustration and anger inherent in such a realization. The narrator of “The Blacker The Berry” and Baltimore are marching hand in hand this week, it occurred to me as I watched and read reports of peaceful protests and riots occurring in the wake of the 25-year-old Gray’s death.
Baltimore, a once great American industrial city decimated by corporate outsourcing and the phony War On Drugs, now stands at attention, eyes open to the long festering injustice at its doorstep.
Below is an examination of Baltimore’s upheaval and unrest viewed through the prism of “The Blacker The Berry”. It’s worth noting that while Lamar’s narrator refers to himself as a hypocrite throughout the song I view this as a storytelling device the artist employs to provoke thought about the senselessness of black-on-black crime in the face of such an oppressive, corrupt and hateful society. This descriptor by no means disqualifies the narrator’s point of view.